She’s better known by the name Marina and the Diamonds even though she’s a solo artist, not the front-woman of a band like Florence and the Machine. If you’re British, you know her already. If you’re American (or any other nationality) then it’s less likely (unless you listen to a lot of British radio). Anyway, although I’m not a huge music person (I have a very eclectic taste, I know what I like, but I’m mostly clueless), I want to spend some time talking about her.
A bit of background on the assumption you’re unfamiliar with Marina. She’s half-Welsh, half-Greek. She grew up in a small village about an hour’s drive from where I grew up. If you want to know more than that, check out what Wikipedia says about her.
Right now, Marina is my favorite musical artist. The fact that she’s stunningly beautiful doesn’t hurt, of course. Nor does that fact that her voice is equally beautiful. Unlike most young singers, however, Marina has some real depth about her. She writes or co-writes all her own songs, and genuinely seems to be the driving force in terms of the direction her career is going and in full command of the “style” of her brand. Check out her Tumblr and some music videos to get an idea of what I mean.
Another thing Marina and I apparently have in common is an obsession with America. As a teen, I was far more interested in US-produced TV shows and movies than British ones. When I got older, I traveled to the US solo. As it happened, I fell in love with a beautiful American girl and ended up settling down over here. But enough about me. Marina’s music is obsessed with the dichotomy of the American dream as both something to strive for and something to be repulsed by. Why repulsed? It’s because of the prevalence of fake, tacky and ultimately plastic commodities which have for so long been routinely accepted as central to the concept that we all believe are now inseparable from it. (Of course, that’s not actually the case). To quote some of the lyrics from her breakout hit Hollywood:
“Your mind is just like mine; all filled up with things benign. […] I’m obsessed with the mess that’s America.”
To me, Marina is like the musical equivalent of a David Lynch film. Blue Velvet and Wild At Heart in particular come to mind, as she seems equally fascinated with the conflict between fantasy and horror which co-exist in that idyllic perception of what the American Dream is supposed to represent, as well as the seediness which exists just beneath the surface. (A good example of this is Britney Spear’s …Baby One More Time video, which was much-loved by both tween girls and middle-aged men alike). I’d pretty much give my right arm to see a Marina/Lynch collaboration which examined the life and legacy of Marilyn Monroe.
Thankfully, Marina’s newest album, Electra Heart, (which was released in the UK last Monday) puts this obsession with America front and center even more so than in her mainstream debut The Family Jewels. You get that impression just from scanning through the track titles which include Bubblegum Bitch, Homewrecker, Primadonna, Starring Role, and The State of Dreaming. This time around her focus is not just on Lala-Land, but also middle America too. She almost seems to be hinting at the question “What is real America?” while simultaneously suggesting that none of it is really real.
But enough of me waffling on… Check out these two videos where Marina briefly discusses the inspiration for each of the songs:
Oh, and for those of you left wondering who I’d pick as the fifth person I’d invite to my imaginary dinner party mentioned yesterday – I’ve made a decision… John Lasseter.